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Saturday, March 15, 2003
1:39 PM
Thursday, March 13, 2003
7:43 PM
It figures, eh? The old gutter swipe never gets old, does it? Never miss an opportunity for low-rent back-alley red-baiting. Of course John Kerry likes Communist poetry. Inside every doe-eyed liberal is a bloodthirsty Stalinist just trying to get out, like the chest-exploding creature in Alien. Right? Come off it. I love Pablo Neruda’s work. So what if he joined the Chilean Communist Party. I also admire the work of Jorge Luis Borges, the extreme rightist literary grandmaster from Argentina. Does that say anything about me personally? Sure. I like Latin American literature. (Shrug.) So? Am I unfit for office now? Neruda is dead. Borges is dead. Their politics, though obnoxious, are irrelevant to most of the work they left behind. The great crime of totalitarianism is that it politicizes everything. There are places politics should never go. Literature is one of them. Most of Neruda's and Borges' work is apolitical. Especially that which is read and admired today. To place an ideological litmus test on poets, to shame a writer's admirers because of the dead man’s politics, is to politicize literature as totalitarians do. Mr. Ponnuru, Pablo Neruda wrote love poems. He wrote odes to this, and odes to that, even an ode to salt. He won the Nobel Prize for Literature. So he's John Kerry's favorite poet. What does that say about Kerry? It says he has good taste. Conservatives wonder why the left says they act like Joseph McCarthy. Well, there you go. We’re called socialists and communists for every little thing. Pick up a book of love poems and the next thing you know you’re mugged and libeled by the GOP. Neruda was a communist and Borges was some kind of fascist. But they were also men, they were also artists. I cherish them both. Neruda is dead. Borges is dead. Their politics are dead. The work they left behind is alive. Borges and I by Jorge Luis Borges It’s Borges, the other one, that things happen to. I walk through Buenos Aires and I pause – mechanically now, perhaps – to gaze at the arch of an entryway and its inner door; news of Borges reaches me by mail, or I see his name on a list of academics or in some biographical dictionary. My taste run to hourglasses, maps, eighteenth-century typefaces, etymologies, the taste of coffee, and the prose of Robert Louis Stevenson; Borges shares those preferences, but in a vain sort of way that turns them into the accoutrements of an actor. It would be an exaggeration to say that our relationship is hostile – I live, I allow myself to live, so that Borges can spin out his literature, and that literature is my justification. I willingly admit that he has written a number of sound pages, but those pages will not save me, perhaps because the good in them no longer belongs to any individual, not even to that other man, but rather to language itself, or to tradition. Beyond that, I am doomed – utterly and inevitably – to oblivion, and fleeting moments will be all of me that survives in that other man. Little by little, I have been turning everything over to him, though I know the perverse way he has of distorting and magnifying everything. Spinoza believed that all things wish to go on being what they are – stone wishes eternally to be stone, and tiger, to be tiger. I shall endure in Borges, not in myself (if, indeed, I am anybody at all), but I recognize myself less in his books than in many others’, or in the tedious strumming of a guitar. Years ago I tried to free myself from him, and I moved on from the mythologies of the slums and outskirts of the city to games with time and infinity, but those games belong to Borges now, and I shall have to think up other things. So my life is a point-counterpoint, a kind of fugue, and a falling away – and everything winds up being lost to me, and everything falls into oblivion, or into the hands of the other man. I am not sure which of us it is that’s writing this page. Clenched Soul by Pablo Neruda We have lost even this twilight. No one saw us this evening hand in hand while the blue night dropped on the world. I have seen from my window the fiesta of sunset in the distant mountain tops. Sometimes a piece of sun burned like a coin in my hand. I remembered you with my soul clenched in that sadness of mine that you know. Where were you then? Who else was there? Saying what? Why will the whole of love come on me suddenly when I am sad and feel you are far away? The book fell that always closed at twilight and my blue sweater rolled like a hurt dog at my feet. Always, always you recede through the evenings toward the twilight erasing statues. Ode to Salt by Pablo Neruda This salt in the saltcellar I once saw in the salt mines. I know you won't believe me, but it sings, salt sings, the skin of the salt mines sings with a mouth smothered by the earth. I shivered in those solitudes when I heard the voice of the salt in the desert. Near Antofagasta the nitrous pampa resounds: a broken voice, a mournful song. In its caves the salt moans, mountain of buried light, translucent cathedral, crystal of the sea, oblivion of the waves. And then on every table in the world, salt, we see your piquant powder sprinkling vital light upon our food. Preserver of the ancient holds of ships, discoverer on the high seas, earliest sailor of the unknown, shifting byways of the foam. Dust of the sea, in you the tongue receives a kiss from ocean night: taste imparts to every seasoned dish your ocean essence; the smallest, miniature wave from the saltcellar reveals to us more than domestic whiteness; in it, we taste infinitude.
12:06 AM
If I were a conservative or a Christian, the very existence of a book like this would give me shudders. I don't know what it is about the left- and right-wing fringes that makes them think America has become a fascist or socialist dictatorship, and that some kind of revolution could possibly improve our system. But they're out there, and will probably stick around. The far-left has been eviscerated since September 11 for its sympathy with Palestinian and other terrorist groups. But the right has been given a pass. Perhaps because they quietly lurk in the hills with their guns preparing for siege, while the left storms the streets with puppets and placards. Whatever the reason, the far right is out there, and before September 11 it was responsible for the worst terror attack in American history. Today rightists like David Duke write anti-Semitic screeds in Arabic newspapers. The far-right National Alliance expresses open sympathy with Al Qaeda. And now an advertisement for Revolution! lands like a thud in my inbox. I have no doubt if Al Gore were president this sinister faction of the American right would be up in arms even more than they were in the nineties. Perhaps Bush keeps them quiet by sitting in office, as Clinton mellowed the radical left before him. If Joe Lieberman takes the presidency in 2004, we are going to hear a lot more from this crowd. Tuesday, March 11, 2003
5:59 PM
Perfect! Not only am I a Democrat (not too tough to figure that one out), but I'm the right kind of Democrat. The test tells me (quite accurately) that my historic role model is the grand-daddy Uber-Democrat who knew how to kick some ass when it needed kickin'. Now I want to go back and monkey with the questions to see if I can make it tell me I'm Mussolini...
5:52 PM
12:35 AM
The Hitch is right, but there is an upshot he does not see. Osama bin Laden says the Crusaders of the Cross are at war with the true believers of Islam. This is now incontrovertibly nonsense.
12:02 AM
Don't forget to check out the sidebar links. Iraq will be slightly less the black box if you poke around in Raed's place for a while. Sunday, March 09, 2003
7:30 PM
Copyright 2003 Michael J. Totten
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